Anna-Wili Highfield is an artist who creates graceful sculptures of animals using cotton paper. She says that her goal is to represent animal life in an immediate and authentic way that conveys the energy, movement and physical character of different creatures. Her work is elegantly displayed throughout this 19th century cottage, located in the Marrickville suburb of Sydney, Australia. She shares this space with her husband, the artist and prop maker Simon Cavanough, who runs Macgyver Models, and their children Claude and Matilda. The old house already had some handsome period details, such as the tiled fireplaces and cornice work ceilings, so, as Anna-Wili puts it, they just respectfully moved their things in. Respectful indeed. Though there is a distinctively playful flight theme running throughout the home, from birds to planes to clouds (as well as room for the children’s creations), the overall aura is one of quiet drama, in part due to the pared down color palette and old world, heirloom charm of their collected objects. Thank you, Anna-Wili, Simon and Julia Lee Skinner and special thanks to Shauna Greyerbiehl for photos! –Shannon
Image above: Simon and our almost 2-year-old son like to fly glider planes together. Claude goes in a backpack and they head off to stare at the sky most mornings. I find the planes handsome around the home. We have all been collecting feathers for this lamp. The shadows the feathers cast at night are very pleasing.
See more of Anna-Wili and Simon’s Australian home after the jump…
Image above: My first Raven. Simon gave me this Cloud sculpture on our first date. The towers are Simon’s and the racket is a work by our friend Nick Strike. His studio is below mine. It’s a wonderland to explore. The large lithograph is by the German (French emigre) artist Hans Hartung and was given to me by grandmother. I love this piece.
Image above: The Raven on a burnt pole I made just for me after a similar series for Hermes. The picture is a felt work by our friend Shane Haseman. The wooden chair belonged to my great uncle Hugh. And the yellow chair is one of many great roadside finds that Simon brought to the relationship.
Image above: The chain detail is part of an early sculpture of Simon’s. The copper tube has the names of every person he remembered knowing engraved on it. The grey one is another of Simon’s works and the nest a friend found outside my front door one day. Below is my apron. Even if I’m not wearing good clothes I live in an apron at home. I think I like a uniform. Guests sometimes get excited that I might have been baking, but alas, that’s rarely the case. Marrickville has fabulous Greek bakeries though.
Image above: The little photos on the wall are photo booth shots of my family. There is another sculpture by Simon, and some drawings by our daughter Matilda. She loves to draw. The bed is a little dishevelled from being jumped upon. The vintage night table I found on the side of the road outside a beautiful 1920s apartment building in Elizabeth Bay. I try to to keep the place from looking like the set of a period drama but I have collected too many discarded vintage pieces over the years.
Image above: Simon made the lair sign for a basket that Claude likes to sit in, the basket was also my great grandfather’s and so I moved the sign to discourage Claude from sitting in my ancient basket. I guess lair suits a bedroom well though.
Image above: The wonderful Petrina Tinslay (photographer) and I are collaborating on a series of prints of my work. The first in the series is the Wolf. He is one of my favourite sculptures for his debonair stare. On the left of the mantel are some more works by Simon. The glass horse is Nick Strikes’ and a miniature painted moth was made by Oliver Watts in exchange for a small paper turtle.
Image above: Both our kids like to draw. Matilda is especially good at making things out of what she finds in the recycling bin. Some of her creations are fabulous. I think she’d be suited to work with either me or Simon one day if she’d like to.
Image above: This is my desk at home. Crowded by artifacts from the men in my family. The plane belongs to Simon. The mask belonged to my great grandfather who brought it back from Papua New Guinea and the old drunk judge is an original puppet from the first theatrical staging of The Magic Pudding (an Australian classic). Circa 1920s. The judge was given to me by my father who is a puppeteer. I think he influenced my fascination with bringing creatures to life. Oh, and the desk was my great uncle’s.